I see the rotting carcass below
the twisted skeletal frames, the civil engineered decay
fingers of asphalt explode the horizon
cinders falling, a furnace in the skies
sit on the rusted hulk with me
as we watch it being born all over again
the blur of the coal and livestock cars
a constant drone to block out thought
I also like to lay down in the meadow and shape the clouds
this is not a requiem
I find funerals of eras most comforting
sagebrush high desert, five gallons of water
there is a limit, an end of the road
like a book read backwards, the protagonist shot dead first
surprising that this Kigali blood plant grows faultless over
massacre Dresden and rape Nanking, the boneyards of voracious mimicry
something to hear, nothing to witness
every forty-two miles a blinking radio towers lights the way
Come, reject the declination, rejoice in her voice lofted
when sunday mornings are no longer sunday mornings
an interval of planting, a fraction of zero
a man-made aberration of riot gear and chalk-fingered teachers
the dogs are grazing on neglect and the rivers washing themselves anew
this aero dream is reaching one hundred
there is a night where I, don't you
so saccharin and distant and unfamiliar are these ghosts
shouldn't there be some chin-rubbing by now
a “what does that mean” feels about right
the gospel of grinding, screeching metal has commenced
a spectrum of emotive ranging from boring to indured
somewhat palatable, often explored
I love you more than you will ever know
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